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An overview of Web Series

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Are web series the way of the future? For most of you I’m sure your answer is, “what the hell are you talking about”?

Since about 2006 I have been fascinated by the how media and the way we consume it is evolving. That was the year I really got into podcasts. One of the early ones I found was Adam Curry’s Daily Source Code. During those early days one of Adam’s assertions was that in five years 50% of the media we consume would be produced by what were previously consumers.

It’s six years later and while we are not at the 50% mark we are further along than we were. And I think there are three factors at play here.

The first is how we want to consume media. I for one do not watch anything on TV during the time it is actually broadcast.  Between my work schedule and other activities I just don’t have the time. If I am interested in something I either watch it on demand, or online. When I reviewed American Horror Story, I did not watch a single episode during broadcast; I went out to FX’s website and watched. If I am not watching a show through On-demand, I am either watching it on Hulu, Netflix, or in rare cases Itunes.

And this is a growing trend. We have the technology to watch what we want, when we want, and where we want. The big media companies are catching on slowly. I am convinced that there will come a day when watching on demand is the norm and that shows will not be scheduled around a timeslot at all.

And this brings us to the other factor at play, the technology. Back in the eighties I was part of an amateur film making group. We made Star Trek, Doctor Who, and Mystery Science Theater 3000 fan films. Back then our distribution network was basically word of mouth at conventions and tape distribution. Also we had to rent time with editing equipment. Now you can get editing software for reasonable rates and when you are done you upload the video on-line.

So the barrier of getting your material out is gone. Instead the effort is to get people’s attention with so much competition.

So back to my original statement, why are web series the way of the future.

First I want to point out that there are basically three different types of web series.

The first is the professional series, produced by a big studio or network. These are either online side series to bigger shows, or original products that are not big enough to put on a network. Examples would be online extensions to the shows Heroes and Battlestar Galactica, or original content like the Booth at the End and The Legion of Extraordinary Dancers (LXD). The extension series can add detail to the main show, but they are general made so that they are not required viewing. A show like Booth at the End is a smaller budget scenario but can give actors who rarely get a chance at starring roles the opportunity to show their chops. LXD, which I previously reviewed, is an example of a show that would just not fly on regular TV, but given a chance online, is able to find an audience. The non-extension examples can often blurs the line with the next type

The second type of web series is the independently professional produced series. Shows like Doctor Horrible’s Sing-along Blog, The Guild, or Leap Year, which again have recognizable actors and even creators, but are made outside of the normal studio system. These can be passion projects for a creator that they cannot get backed, or an attempt for an up and comer to show they have the skills to work in the industry.

The previous two types of web series are ones that while smaller than normal TV shows can still get enough press to be successful. The third type is also the one that most fits Adam Curry’s prediction. These are independently produced shows that feature an amateur cast. The budgets are often small, so for a show to succeed there are to be something going for it like good writing and solid concepts.  A great example is a show I previously reviewed called Ninja: The Mission Force. The production company, Dark Maze Studios, specializes in what it calls micro budget productions. Other great examples are Standard Action, Transylvania Television, lonelygirl15 and JourneyQuest.

A subset of type three is the internet reviewer. I’ve mentioned some of these before. The best examples can be found at That Guy with the Glasses. Some of the reviewers are also film makers so it all comes down to people looking for a way to be creative.

Of course some people do it because they want to be famous, but honestly that’s not the worst motivation. But unless they have talent to go along with ego they aren’t going to do so well.

It’s the independent amateurs that I feel personally drawn to. These are the people that in the pre-internet days no one would have ever heard of. Now they have a means to get their work to an audience and make a name for themselves.

And actually make money at it.

That is the third factor at play. People have finally figured out how to monetize web series. It can take a few forms.

The most common is ad revenue, just like regular TV. In the case of online video it is usually by going through a service, like Blip TV, that hosts the video and stiches ads in them. The service will then split the ad revenue 50/50 with the video producer. The revenue is based directly on how many views a video gets so the more popular producers can make a full time job of it.

For the professionally produced web series they will either be on a studio site, or on a site like Hulu.

A variation of the above is when a site picks up a video producer, like IGN or the Escapist. They take care of the ads and pay the producer.

Another way is crowd sourcing, where the producer gets donations from fans to produce the show. This is how the first season of the Guild was paid for. The advent of Kickstarter has been a great boon to the web series, as it has for many artistic endeavors.

Since there is money to be made people will go out and make web series. This is what will make sure that there will be more and more content. So I say give it another five years and Curry’s prediction will come true.

I could go on about individual shows, and I certainly will in future articles. In fact in a couple of weeks I will be reviewing Booth at the End.

Who knows, if the stars are right maybe one day I might finally get around to creating a web series of my own. It could happen.

Farewell City of Heroes

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City of Heroes has fallen.

On August 31st game publisher NCSoft announced that they were immediately suspending all development on City of Heroes and that the game servers would be shut down on November 31st.

While no reason has been given for this decision there are several clues. The first is that NCSoft posted a second quarter loss of $6 million. The loss was due to several factors, including rising labor and marketing costs, an acquisition and disappointing performance of their game Aion.  There are also reports that there is not enough server space for their big new release Guild Wars 2. Again there is no direct connection to any of these that has been publicly stated, but I think it shows where this might have come from.

For those not aware City of Heroes was the first ever superhero MMO game. It’s a game I have a long history with. So let’s stroll down memory lane for a bit and look at what this game was and what it meant.

City of Heroes had a long development. It was announced over 10 years ago by a small company called Cryptic Studios. Originally the developers wanted to create a flexible power creation system along the lines of the table top superhero roleplaying game Champions. Unfortunately internal play testing showed that this method lead to people either creating min/maxed characters that were unstoppable, or characters build on a theme that were too underpowered to survive. Due to this fault the developers scrapped the character design system, went back to the drawing board and pushed back the release date two years.

This was pretty daring considering a lot of companies will rush a game to meet a launch date. Cryptic stated that it was better to delay launch then release a severely unbalanced game.

The result was a game that went from having an open ended creation system to one that had what was pretty standard. You selected a class just like you would in most fantasy games, Tanker, Scrapper, Healer, Blaster, and Controller. You also selected an origin but that just affected what types or upgrades you could use. Even with this restriction you could still basically build almost any character you could dream up.

What made City of Heroes stand out in character creation was the costume creation. It still stands as one of the most customizable systems for visually creating your character. People could spend hours just playing around with the different looks they could give their avatar. There would be in game player run costume contests because people loved showing off their designs. The down side is that really uncreative people would do their best to just recreate characters from comics, movies, or any other media. Since this could lead to legal issues it was against the rules. And even with that City of Heroes was sued by Marvel, but was able to win.

Game play was really standard MMO fair. Get missions which were either defeat X number of Y foes, run an errand, or go into and instanced mission zone and complete its specific win scenario. This led to an issue that affect many MMOs and still does. If you run more than one character you will repeat missions. This of course requires the MMO developers to create new content to keep its players engaged. City of Heroes actually did pretty well on this front, releasing regular updates that added new missions, zones, character classes and powers.

Another strong point was the graphics. Unless I have missed something it was the first MMO to be set in a modern urban setting. And on that front it succeeded, you had the feel of being in a real city.

Eventually they released a companion game City of Villains, which is you had both you could cross-play. Eventually they were both just effectively folded into one game.

Another big achievement for City of Heroes was when they released the Mission Architect system. It was a tool kit for players to make custom missions complete with the ability to make custom built villains. Then they could open it up for people to play their missions. It was an amazing introduction of player created content into an MMO.

I started playing the game as a beta tester and stayed with it until about 3 years ago. I had in that time leveled 4 characters to max level and I was never interested in the end game material. I found myself moving on to other games. But I let my subscription stay in place for a while. This was because even though I was not playing the game much anymore, I was still active on its discussion board.

The discussion board is probably one of the game’s biggest successes and the reason why the end of the game is being rallied against so hard. MMOs are supposed to be social by their very nature. In most of the ones I play I tend to be a solo player. City of Heroes was different. I would join pick up groups and get together with friends. And the discussion boards were and still are very active. The geek culture forum, called Comic and Hero/Villain Culture was my home base. From here I was first convinced to give the Dresden File novels a chance. It was reposts of video reviews that led me to discovering That Guy with the Glasses. It was where I would go to share geek news I had come across. I keep my subscription for almost a year after I had actively stopped playing just to keep visiting. But eventually I realized this was not realistic and dropped it, although I still periodically check the forum for news.

And that is the real tragedy of the end of City of Heroes, the end of a passionate geek community that has bonded over the years.  There are of course efforts to in some way save the game, but looking at the corporate realties involved I will not be holding my breath.

So instead I will hold on to my memories of the game. I am one of those geeks who creates back story for his characters after all.

So I will remember the plight of my vampire Caliban as he fought to hold off the evil of his curse through heroic acts.

I will remember Swashbuckler and his quest to prove worthy of upholding his family legacy.

I will remember Technomancer and his struggle to overcome the miss use of his technology by the Freakshow gang.

And I will remember the friends I spent time with in the game.

DC Comics: More reasons for concern.

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Dear DC Comics,

Why is it that when I am planning a nice well thought out article that you must have a week with news I cannot just ignore?

Take for example this week. First there is news that Superman and Wonder Woman are going to be an official couple. That alone would require at least a mention.

But no, you have to follow it up with the news that Rob Liefeld has suddenly left your employ, and in a manner so close to the recent issue with George Perez that I cannot look away.

So here we go again.

First I want to take a look at the Liefeld situation. Rob Liefeld has become something of a joke amongst fans. His art style is off putting to most due to his odd ideas on how human anatomy works and his complete inability to draw feet. His writing style is also often under assault due to a lack of concern to character motivation or internal story continuity.

With that said Rob still gets a lot of work in the industry. From all reports this comes in part from being one of the honestly nicest people in the business. Although the back and forth happening on twitter this week may disprove that last one.

So I’m sure a lot of people were surprised when he announced his leaving DC comics despite being the writer on Hawkman, Grifter, and Deathstroke. His reasoning mirrors the reasons that George Perez gave back in June as to why he left Superman. Rob sites editorial incision, drastic last minute changes, and what he describes as “editor pissing contests” as his reasons for leaving.

This makes Rob the second high profile talent to leave the company for these reasons.

And while it may not seem like much of a segue this leads us to the pairing of Wonder Woman and Superman.

Let’s face it, this just reeks of being an executive “suggestion”

To be honest this is hardly the first time that the idea of a Superman/Wonder Woman pairing has been floated. I can name three different out of continuity stories DC Comics published that explored this idea. Kingdom Come, Justice League: Act of God, and Superman: Distant Fires.  Of course only the first of those was any good.

In continuity the idea was toyed with a couple of times. When John Byrne was writing Superman and George Perez was writing Wonder Woman during the early days of the post Crisis on Infinite Earths reboot you had the Man of Steel attempting to get a date with the Amazon Princess. She was not very receptive to the idea. They ended up on one date and by the end it was clear to Clark that she just wasn’t that in to him.

A couple of decades passed and thanks to actual character development Clark Kent actually had a relationship with Lois Lane that progressed to marriage. However poor Diana discovered that maybe she was a bit more interested then she first let on. Clark being the very role model of good behavior didn’t even consider cheating on Lois, not that Diana was suggesting that, more bemoaning the lost opportunity. Somewhere in there was also the idea that she might be attracted to Bruce Wayne as well. It got a little odd at times.

The point is that at no time was there ever any serious consideration that Superman and Wonder Woman would get together in the main continuity.

Then we had the reboot last year. Due to that, now you have a Lois and Clark that not only are not married, but have never dated and Lois is living with some other guy.  In fact in seems that the reboot was very anti-marriage as they did nearly the same thing to the Flash, even though his marriage was more or less the canon.

Oh and Steve Trevor is in love with Wonder Woman, but it is an unrequited love.

So this leaves the door open to a Clark/Diana hookup.

My problem is that it just doesn’t feel like a natural outgrowth of the storytelling that has been going on. In fact I would go so far as to say it is pure fan service designed to grab headlines.

In the Superman books Clark is clearly in love with Lois, but she is trying to set him up with her sister Lucy. This pairing seems to at least be a possibility, if for rom-com level antics if nothing else.

I’ve dropped the Wonder Woman main title, but when I was reading it there were no romantic plots of any kind being explored.

In the book they both appear in, Justice League, there is a romantic subplot, but it is the one I mentioned earlier involving Diana and Steve Trevor.

So I strongly suspect that this was a mandate from on high to capitalize on the publicity potential with no sight on the actual storytelling.

This is my biggest complaint about the current direction of DC comics. It feels like the bean counters are running the ship and making some really bad story telling decisions based on market analysis.

Time will tell.

Next week it will be one year since the reboot. I’ll be looking at how I feel about the individual titles. See you then.

A brief Guide to Convention Etiquette

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Its convention time for me again. I will be attending GeekGirlCon this weekend to help at my wife’s vendor booth. Stop by the Twisted Kitten Creations booth and say hi.

As I prep for this con I find myself reflecting on a lot of things I have been noticing about the behavior of convention attendees. As such I would like to take the opportunity to go over some convention etiquette that I feel gets overlooked.

First off I would like to introduce you to a thing called situational awareness. The official definition is “the perception of elements in the environment within a volume of time and space, the comprehension of their meaning, and the projection of their status in the near future.”  That mouthful is a very fancy way of saying being aware of your surroundings, and the people and events in it.

So why am I bringing this up when I want to talk about convention etiquette? It’s because I see a lot of situations at conventions where just a little situational awareness could make things a lot better.  An example is a group having a conversation at the bottom of a staircase blocking it off from people who need to go up or down, a person stopping in the middle of the convention floor to check their backpack and causing all the people behind them to have to stop quickly, or someone in a costume with protruding bits knocking over a vendor’s display. A convention by its very nature is going to be a crowded space, and as such it is really easy to end up tripping over each other. This can be made worse by some people who start to feel some crowd anxiety and start retreating into their own inner world to cope.

I want to be clear, I’m not saying be hyper vigilant. I am just saying make an effort to be aware of what is going and how your actions my impact the people around you.

This next one might seem like a no brainer, but in the environment of a convention can throw it off. The normal social standards of everyday life still apply. I’ll be honest; I am using this one as a catch all for a lot of issues that can crop up at a convention.

Yes, you are at a place where you are surrounded by people who share a particular interest. There are people dressed in a manner you do not normally see. You can meet, talk and bond with people over these shared interests. But these are still normal people and the normal social rules are still in effect.  Basically ask yourself this question, “Would what I am about to do or say be over the line at a mall or grocery store?” If the answer is yes, then it would be best to reconsider your actions. Also remember that people going to the convention may have shared interests, but other than that come from all walks of life. You may all have geek culture in common, but there will be a variety of different social, political, religious, sexual, and ethnic backgrounds.

Vendor and artist booths are another aspect of conventions that are prevalent, and can have some potential issues. Both are there in a business capacity. They are attempting to connect with a cliental that is unique to the convention environment. Unless it is specifically a promotional booth, they are there to make money, and even the promotional booth is trying to drum up business for whatever they are promoting. The one issue that can happen is if someone is really fascinated with whatever the booth is about, and hangs out trying to monopolize the attention of the vendor. It’s fine to come by and chat, just remember that these folks are there with a purpose and don’t distract them from paying customers.

There is one action that I want to point out, because I have seen it at too many conventions, and I do not know why this happens. It is something that if you saw it happen at store you would definitely go “WTF?”

Do not, I repeat do not touch a pregnant woman’s belly.

It feels weird that I had to write that sentence, but as I stated, I have seen it happen on several occasions. One friend while pregnant went so far as to have a shirt made up before a convention that said “You do not have permission to touch my belly.”

And with the topic of inappropriate touching broached, it is time I go right to the elephant in the room.

Harassment has been a subject of a lot of discussion in geek culture lately. When I wrote about misogyny in geek culture I covered some of it. And since then there have been tales of major lines being crossed at conventions. In particular the events at Readercon have brought the subject to the forefront. Go here if you would like to get the details.

Bottom line, don’t be a creeper. Yes there are attractive people at conventions, and yes they may well be wearing costumes that enhance that attractiveness. And if you are at a convention being held at a hotel there might be alcohol available.

None of that is permission to cross boundaries.

With everything I have gone over here the basics are simple. Keep aware of what you are doing. Be mindful of your actions and their consequences. Have a good time, just don’t have it at someone else’s expence.

Misogyny in Geek Culture

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Misogyny is a word that has been thrown around a lot lately in the geek community. A lot has been written on the subject of misogyny in geek culture recently. It would almost seem redundant to write another piece on the subject. And yes I realize I am a guy writing about this, but here is why it is needed, because there cannot be enough voices speaking out about it. In fact with so much misogynistic speech going on in geek culture right now, to not speak out on it would be an act of moral cowardice.

I’m about to go into some specifics now so if you are reading this and the subject of various ways women can be attacked are triggers for you it would be best to be prepared.

So why are we seeing so much misogynism now. Well I don’t think it is a recent development. I don’t think a bunch of guys went “Oh man, the women are getting uppity; I better act like an entitled prick to put them in their place.” It’s always been there, but a couple of things have made it more visible .One is the internet. People can communicate online more easily and rapidly then they use to. Add to that the anonymous nature of online communication and you have people who feel they can get away with things they would never have dared in the past. That’s the bad news, the good news is that people are not shutting up and taking it as much now. These two combine to create the greater visibility.

Of course why it happens in the first place is no secret. From the start the collections of interests and hobbies that compose geek culture have been traditionally male dominated. And not just any males, these are usually the guys that were not part of the popular crowd in high school.  Add a tendency for those with already poor social skills to be drawn to fandom and you have your stereotype of the geek.

And now you have to look at how women are traditionally portrayed in comics, science fiction and fantasy. You have the damsel in distress, who waits for the manly hero to save her, or you have the kick ass female who makes up for poor character development with skimpy over-sexualized attire.

Here is a great example; this is the cover for the upcoming issue #0 of Catwoman

Notice how you can see her face, breasts, and butt all in the same shot. For that to be possible her spine would need to be made of rubber. In fact rubber spine is fairly common in female superheroes.

So your average woman looking at this is not going to feel welcome in most geek settings. This has led to women in fandom historically being treated as rare as a unicorn.

Of course these days you have women who are making their mark in fandom. And here is the seed of the misogyny. The guys have had it as their special corner and now the ladies are showing up and expecting to be treated as people. A lot of guys do not know how to deal with this and feel threatened, and when people feel threatened they often go on the attack.

In the end the misogyny is all about power. The guys employing it want to make the women do what they want and are using what they perceive as the best tools to do it.

No better example exists than Anita Sarkeesian and her Kickstarter campaign to fund her web video series “Tropes vs. Women” which looks at how females are portrayed in video games. Since this is certainly going to look at the sexist way a lot of games treat women (We’re looking at you Duke Nukem) a backlash arose against Sarkeesian and took on a very ugly misogynistic tone. Beyond sexually harassing messages on line people have made pictures of her being raped by video game characters and one person even went so far as to make an online game where you can beat her up.

Clearly the goal was to shut her down, but the good news is that it has had the opposite effect. Her Kickstarter goal was $6,000. At this point she has now made over $100,000 and is looking to expand the scope of the series. Rather than make her shut up, the attack has given her an even better chance to speak and brought supporters out in droves.

This is a part of the story that seems to keep coming up again and again. The use of misogyny to make women shut up is being met with defiance and a refusal to be backed down. It is by no means easy. I’m sure Anita Sarkeesian has had many low moments during this.

Other examples include the recent incident where a writer for the gaming website Destructoid, Ryan Perez, went on an extremely sexist rant against Felicia Day, and the very recent incident of comedian Daniel Tosh joking that it would be funny if a female who called him out on making a rape joke were gang raped right then and there.

Perez did apologize and is no longer with Destructoid.  The back lash against Tosh was so strong that he had to issue an apology less than a day after the story broke. But in both cases it feels a lot like both apologies were more prompted by “we got caught” then “we are truly sorry”. Also a lot of people came out in support of Perez and Tosh saying they should not have been called out in the first place.

Moving away from the power struggle itself for a moment, one of the big laments of people in the comic book and gaming industries is the desire to bring in more female consumers. However while they say this they still put out the objectifying material to appeal to the male demographic.

It doesn’t help that in most of the geek industries that not only are the customer base primarily male, but so are the creators. Let’s face it most men are not sure how to write or present women.

Here is an example. Here is how the Black Widow poster for Iron Man 2 looked

Now here is the Black Widow poster for the Avengers.

So it is the same actress, the same character and the same basic costume. But one looks like she is posing for a Maxim cover and the other looks like she is about to kick your ass. So what is the difference? It think it is that the Avengers is directed and written by Joss Whedon and he likes to present strong women that are actually empowered.

While we are on the subject of the Avengers I should note that a lot of reporters would tend to ask Scarlett Johansson questions that were the verbal equivalent of male gaze. One reporter asked if she wore underwear under her costume and she asked if he would ask her male co-stars the same question. The best thing to come out of that was the fact she would not put up with that crap.

As I said earlier, in the comic book industry a constant effort is put forth to bring in more female readers. However you just need to look at that image of Catwoman again to see the problem there. Another hurdle is the phenomenon known as women in refrigerators. For those not familiar with the term it comes from a story line where a new Green Lantern, Kyle Rayner, was chosen. Kyle had a girlfriend Alex DeWitt. 6 issues after she was introduced Alex is murdered and her body stuffed into a refrigerator for Kyle to find. This is what sparks him to take being a superhero seriously.

Writer Gail Simone cited this as a prime example of writers in comics using the murder or abuse of a female character to propel the story of a male character. She maintains a site called Women in Refrigerators listing the significant examples of this trope. It also has a listing of responses it has gotten. Want to take a guess at the tone many of them take?

Another view on this is more personal. My sister* and I use to both work at Wizards of the Coast. During that time we both would be sent to conventions to work the booth. It amazed me that amount of guys who thought she was just a “booth babe” and didn’t know what she was talking about. For the record she is just as much a gamer and con geek as I am and most definitely knows what she is talking about. In fact go check out her site and tell me if you think she knows nothing.

The point of this is that the geek culture has a bad habit of objectifying women. The end result is that you do not see them as people, and this can make it way too easy to treat them horribly.

So how do we fight this? The first thing is easy to say, but hard to do. Speak up about it. When you see someone make misogynistic comments you call them on it. Even if dozens of people jump on you, you need to speak up. The peer pressure can get really bad. People feel a sense of entitlement when they make these comments and no one wants it pointed out that they are on the wrong side of the issue. But this is not an issue with two valid sides, misogynism is wrong, period. If Anita Sarkeesian can handle the crap being hurdled at her, you can stand a few flame posts.

The next part is even harder. You need to take a long hard look at your own comments, especially you guys. The misogynistic attitudes are cultural and it can get so indoctrinated that you can fall into it without realizing it. I know I have caught myself more than once.  We have to make sure that we are not part of the problem. The best advice I can give is take your brain with you. Think before you comment. Remember that the people you are dealing with online, at a convention, or at a comic book shop are in fact real people with feelings that can be hurt.

If you want to read another site that covers this really well I would like to point you to Geek Girls Rule. This is a site that covers geek culture from a female perspective. As you can imagine they have covered this subject more than once and have received more than their fair share of grief for it. But they know what they are talking about.

As for where we go from here, this site is still going to be about celebrating geek culture and I will be going back to the fun stuff soon enough, but I am also pretty sure the we will be covering this again at some point in the future.

In the end I would rather say that I am part of the solution rather than part of the problem.

And if you feel the need to flame me for saying this, bring it.

 

 

*(We aren’t actually blood relatives.  I may get around to explaining the nature of that relationship someday.  I call her father dad and he refers to me as son, so it’s good enough for us)

 

Some thoughts on San Diego Comic-con

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San Diego Comic-con logoIt’s time for San Diego Comic-con again.That time of year. when the title of Geek Capital of the World temporarily moves from Seattle to San Diego.

I’ll admit that I don’t feel as excited about San Diego Comic-con as I use to. Last year I had such great plans about commenting on the news that came out of the convention daily, only for that news to either be rehash of what we already knew, of just hype about upcoming movies and TV shows.

I almost feel I could copy and paste my pre con post from last year and have it be almost as relevant this year.

Once again we will be treated to a focus on Movies and TV shows, many of which have no relationship to geek culture at all. A lot of cos-play will be featured and we will likely get a return of the pictures of guys acting inappropriately at female cos-players. And I am sure there will be plenty of coverage about the Twilight panel since, in theory, this will be the last panel for an upcoming movie.

My biggest cause for apathy however is not due to the content of the convention at all. It is based on the issue of attendance.

When I started going to San Diego Comic-con in the early 90s you could still show up at the convention and buy a membership at the door, or at least get a day pass. Not only are those days long gone, but now it is long odds to get any kind of membership at all. While they have not moved to a lottery system like Burning Man has, you do have to preregister into an online system just to have a shot at registering on line when the registration system goes live. This year they sold out in minutes, not hours, minutes. So basically you have several hurdles to jump to get a badge and if not, you are out of luck.

I understand this is due to a combination of the capacity at the San Diego Convention Center and the popularity of the event, but I still see it as a troubling sign. If people are frustrated in their efforts to go they may start just not bothering. Right now this may not seem like a problem, but if you go back and read my article Food of the Geeks you remember I pointed out that geek themed restaurant the AFK Tavern runs the risk of running off new clients due not having tables available to walk ins. It’s the same theory.  After a while people may start saying “Screw it I’m not going to bother, there are other conventions I can go to that aren’t sold out.” And this is what can lead to an event’s decline.

The simple answer that inevitably crops up is move to a site with more capacity. As simple as that sounds there are complications. At this time San Diego Comic-con is signed to stay at the San Diego Convention Center through 2015. Every time the question of moving to a larger venue comes up the city of San Diego fights vigorously to keep the convention.  Since last year it brought 162.8 million dollars to the local economy it’s not hard to see why. Part of this effort is a drive to expand the convention center, but as that would cost an estimated 750 million dollars it is far from a sure thing.

Anaheim and Las Vegas both are lobbying hard to try to draw the convention away as they do have venues that could accommodate a larger attendance, but they have a strike against them, and that is that they are not San Diego. The convention organizers are located in San Diego, so they have an interest in staying local.

While the attendance issue is a pressing one, there is another factor at play that could also contribute to a decline. The convention has drifted away from its original core. When news comes out of the convention, it is again the big media stories about those Movies and TV shows. Lost in the shuffle are those pesky comic books. Every year I hear stories about how it is harder and harder for comic book vendors to get booth space due to increased costs and competition for space with other better funded media vendors. The name may be Comic-con, but the focus is clearly on movies and TV.

One thing I have been hearing is that comic industry pros prefer shows like Emerald City Comicon as they still have a primary focus on comic books. And these shows are not lacking in attendance. I learned from a staff member at ECCC that this year’s attendance on Saturday was more than the entire weekends last year, and then they surpassed attendance estimations by several thousand. This has led to them securing the use of more of the Washington State Convention Centers facilities for next year.

What this adds up to is the potential for another convention to challenge San Diego Comic-con for the title of geek convention king. I for one this would be a good thing as it would give the fans more opportunities.

So here I sit waiting to see what will happen. I will of course pay close attention to what news comes out of San Diego Comic-con this year. If it is good information I will certainly write about it. If not, well I have other articles I am working on.

DC New 52: Troubling signs.

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We are 10 months into the relaunch of the DC universe with the New 52. Originally I had not planned on touching on the event again until we reached the 12 month mark. But as a good friend of mine is fond of saying “When man makes plans, the gods laugh”.

Between some stories that broke in the last week I felt it was time a good time to go over how I feel about the direction DC is going with its titles.

The event that set this off was an interview with George Perez on why he stepped down as the writer on Superman. It came down to a frustration due to lack of consistency on what he was being told. Implied in the interview was a high degree of executive meddling over the head of DC publisher Dan DiDio. According to George he was given contradictory instructions on an almost constant basis.

He also did not like that his book was set 5 years after the story in Action Comics, being written by Grant Morrison. Grant was not telling anyone what he was planning meaning George had to limit what he wrote as he was not to contradict anything Grant wrote.

From this we can extract the following points.

  • DC did not go into the relaunch with a coherent plan.
  • The creative staff is not getting a consistent message.
  • Publishers Dan DiDio and Jim Lee are not in complete charge of guiding the stories due to executive meddling.
  • DC is giving way too much leeway to Grant Morrison and I suspect Geoff Johns.

From the start there has been a feel that the whole relaunch was an executive plan to reinvigorate the line and make the properties friendlier to other media. The big concern was that it was a rushed half-baked plan and now that seems to be confirmed at least in part by Perez.

Looking at the books there are some points we can see.

Some books have done well. These include Swamp Thing, Demon Knights, Aquaman, Justice League Dark, and Dial H. The thing about these books is that because of how they are written they would have succeeded just as well without the reboot of the DCU. Other books that have done well are the Batman and Green Lantern books, which have largely ignored the reboot.

But then you have the books that have not done so well. Superman has had problems since September. Action is ok, but both Action and Superman feel disconnected from each other. And as you can tell from Perez’s comments Superman has been a disjointed mess. Another book that is troubling is Green Arrow. It started out ok, but like Superman there was a creative team change and now it is borderline confusing.

Another issue is that there is inconstancy in the continuity. In Justice League International you have Batman as a member of the team and very supportive of team leader Booster Gold. In the main Justice League book Batman is loudly calling for the UN to disband the JLI. Add to this the fact that the members of the Justice League are acting like stuck up pricks in contrast to how most of them act in their own books.

There is another thing that makes me worried about the level of executive meddling at DC, and this one I witnessed with my own eyes.

At Emerald City Comic Con I attended two different DCU panels moderated by Batman group editor Michael Marts. In both panels questions were raised about the status of three characters, former Flash Wally West, original Wonder Girl Donna Troy, and most importantly previous Batgirl Stephanie Brown. In both cases there was someone in the audience making a slashing motion across his throat signaling Marts not to answer. In one of the panels where the audience would not let the question go Marts stated that the person making the gesture was a PR guy telling him not to answer.

To recap there was a PR guy in the audience making sure the Batman group editor did not give answers to certain questions.

Now maybe this is not that weird, but for me I have never witnessed anything like that at a convention before.

So what do I hope to see? Personally I am hoping that in another year or so that DC will announce that the new 52 is over and they are fixing the timeline to return to the more familiar continuity with maybe a few hold over changes.

But I’m not holding my breath.

When online following goes too far.

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Wow, sometime real life writes these blogs. Often I will start an article, and then let it sit for a day or two as I sort out what I want to say. In the case of this article while I was writing it events happened that directly relate to the subject.

So let’s start where I was going to start in the first place.

Recently I had what I realized was a very odd conversation with my wife. On the surface it was a normal conversation. I was telling her about the plight of a couple who were in the process of moving in together and the struggles that entailed. In particular the complaint they were sharing that their whole life had become boxes, nothing but boxes. What made it weird I pointed out was that while we were aware of this couple they have no idea who we are.

In fact they are two online reviewers from That Guy with the Glasses, Nash and Jesuotaku, who I follow on twitter.  As I mentioned in passing in a previous post, Nash also has a decade old online video streaming show called Radio Dead Air that we watch every Monday (well I watch, my wife listens to from the other room). So between all the online interactions I know a lot about their lives. However it struck me as odd that I was catching my wife up on the lives of two people that we never met.

There is something about putting yourself out on the internet that can create a false sense of connection. Let’s be clear, I am not talking about your online interactions with friends and family, this is about people you have never met that you are following through social media. Will Wheaton, George Takei, Penn & Teller, or web celebrities like The TGWTG crowd or the Nerdist.

I’m sure that part of it is helped along if the person you follow post often, and if they put up videos more so. And if they are like Nash and have a weekly live stream, well you might start thinking of them as friends.

Not to mention that there is the ability to comment and maybe, just maybe, get a response.

But the truth is that these are not your friends. They are people you like to watch and follow on social media, but they do not know you. So when you start acting like you would with someone you are actually close to it gets really awkward, especially when you start giving unsolicited advice on their lives. I’m not saying you can’t comment if there is an appropriate place for that, and feedback on their work is usually fair game. However when you cross the line into commenting on who they are in relationships with, or other unsolicited advice and comments on their lives a line has been crossed. I know there is an argument to be made that if you have put yourself out there on social media you are asking for this kind of interaction. I disagree with this whole heartedly. That would be like me saying that a random person on the street has opened themselves up to my meddling in their lives just because they decided to leave their house that day.

In other words just because you can do something, doesn’t mean you should do it.

And we have reached the point I had written to when events unfolded that I don’t feel I can really ignore given the subject and the people I chose as examples.

In a nutshell another contributor to TGWTG known as Spoony had a massive flame out on twitter, apparently fueled by not very well managed depression that led to him being first suspended from the site, and then parting company with it all together. Unfortunately for Jesuotaku she was drawn into it as Spoony had made a tasteless joke about her involving rape and many people assumed that was what had led to the issues. Nash of course was involved as he was standing up for his girlfriend. Overall Jesuotaku and Nash behaved as adults and remained as much above the fray as humanly possible.

But there is a factor here that goes back to my original point. Many of Spoony’s followers started giving him unsolicited advice on how to deal with his depression and the issues it was causing. Far from solving the issue it fueled it further and may well have been the actual cause of the full-fledged flame out.  These are not people who knew him, or any of the participants in real life, but felt the need to interject themselves in the issue. And we are back to just because you can do something, doesn’t mean you should do it.

I’m also not saying that you should never respond. When Nash’s dad had to go to the hospital a while back, I sent a message saying that both of them were in my thoughts and prayers. I did not give him advice on how to deal with it however.

In the end it is a question of thinking before hitting send. Asking some simple question:

“Is this something I would say to a stranger face to face?”

“Could this come off as creepy?”

“Am I helping, or do I just want to get their attention?”

Example, when this is posted their could be a temptation to send a link to Nash since I am writing about him. I won’t be doing this as in the end, I am just using him as an example to illustrate my point, and frankly with everything going on I think sending it to him would be a bit creepy.

So I’ll just make my post and hope I made some good points on dealing with people online.

And hope no one flames me.

 

The Justice League Movie: Potential treat, or impending train wreak.

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This week DC entertainment announced that they have hired Will Beall to write a script for a Justice League movie. There are also rumblings of trying to get a new Wonder Woman movie going again, as well as Lobo and Suicide Squad movies. This really isn’t surprising. I imagine that with the Avengers currently sitting as the third highest grossing movie of all time that there is a lot of pressure to get the DC properties steaming along.

I can only imagine what DC entertainment president Diane Nelson has to deal with right now. The success of not just the Avengers, but the entire Marvel Cinema Universe highlights how much the DC properties not about Batman have struggled. The DC characters are very powerful and prominent intellectual properties, yet they have not be able to gain any traction.
I think the problem isn’t a hard one to figure out. It’s DC entertainment’s parent company, Warner Brothers.
Last August I looked at the Green Lantern movie in comparison to Captain America. Captain America was a movie that reveled in its comic book roots and yet remembered that it had to be an enthralling action movie for the general audience. Rather than dumb down the character for mass consumption Marvel made sure to build up Steve Rogers so that the movie going public would love him as much as the longtime fans.
Green Lantern by comparison was a stock summer block buster that had a generic action movie plot and Ryan Reynolds playing a character much like he has in most movies he has been in. In other words Warner Brothers was playing it safe. I have a feeling that the production of the movie was very influenced by focus groups.
The end result was a hit of Marvel and an underperformer for DC.
The point I am getting at is that Warner Brothers isn’t playing to the strengths of the DC properties. Marvel has made six movies that know full well they are action hero fantasies and instead of trying to bring their heroes into the real world they are trying to create a believable version of their superhero universe. Disney bought Marvel part way through this and made the wise decision to leave them alone as the plan is working.
Warner Brothers on the other hand does not seem to trust that the audience will embrace a theatric version of the DC universe. The words that keep getting thrown around are “Dark”, “Gritty”, and “Mature”. That works great for Batman as Christopher Nolan has shown, but not so much for Superman, or Wonder Woman.
If you don’t believe me on that point I suggest track down a copy of the recent Wonder Woman pilot. Instead of the strong but compassionate hero she was created to be, Wonder Woman was portrayed as a grim badass who would torture a bed ridden mook for information and straight up kill a security guard who got in her way. Basically she was unsympathetic and the show was terrible.
Not to say that this approach won’t work for all heroes, for example Green Arrow. There is a new Green Arrow series coming this fall that looks pretty good. It is going the darker route, but Green Arrow being a non-powered hero like Batman can make that work. But even this one seems to be victim to focus group shenanigans. The show and the hero in it are just being called Arrow. Apparently due to the failure of Green Lantern the word green is now taboo in a superhero name.
I have an idea that I would like to suggest to Warner Brothers. Bring on Bruce Timm for your film efforts. Timm was the driving force behind the DC animated universe that gave us Batman the animated series, Superman the animated series and Justice League unlimited. These were great and comic and non-comic fans alike loved them. Let Bruce write up some script treatments and whatever you do WB, do not let a focus group anywhere near them.

Seattle: The Birth of the Geek Capital of the World

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My claim that Seattle is the Geek Capital of the World grows stronger all the time.

We currently have the King Tut Exhibit at the Science Center.
Our Science Fiction Museum is about to open an Icons of Science Fiction Exhibit.
And we have a growing battle between a Real Life Superhero and a Real Life Supervillian.
And I will be writing about all of those in the future.
But today rather than the future, I would like to talk about the past. Because if you want to know why Seattle is so prone to generate geek culture you have only to look to its History.
It is a history of conflict, con-artistry, sex, booze, political intrigue, violence, legal maneuvering, and a suspicious fire. I am at a lost as to why so far I can only find two cases where Hollywood has used that history in screenplays.
There is no way I am going to cover all of Seattle’s great history in this post. But I will highly recommend three books if you are so inclined. The first is Sons of the Profits by Bill Speidel. If you want to really understand Seattle’s history for just how entertaining it is, this is the book for you. Its tone is light, and points out how the fate of the region turned on a dime….or a nickel, or however much they could make.
Speidel also wrote Doc Maynard: the man who invented Seattle which covers the history of one of the key city founders. Finally Skid Row by Murray Morgan, and yes, that term was coined in Seattle.
So what are the points of interest that make Seattle history great?
You have the feud between Arthur Denny and his party, and David “Doc” Maynard. Denny and party were Republican Methodist and teetotaler. Maynard was a Democrat and he was definitely not a teetotaler. Each settled in different parts of the area, but close enough that it was clear that Seattle would be made up of both their land.
And how did this play out. Well look at a map of downtown Seattle today.
See how parts of it seem to come together haphazardly. This is the legacy of two men building up their territory with no regard to the other, and some more than healthy stubbornness.
Maynard was not well liked by the other members of the Seattle establishment for things like being a Democrat, His friendship with Chief Sealth (also known as Chief Seattle whom the city was named for) and the fact that he made several business deals designed to boost the city rather than line his pocket. Seriously there is a movie in there.
Denny and friends also objected to a theory of Maynard’s about what was needed to help a frontier town grow. Maynard had a hand in the development of Cleveland OH. One of the lessons he learned there was one way to help an area grow was to promote prostitution. To this end he encouraged one John Pinnell to set up shop. He also worked with Mary Ann Conklin AKA Mother Damnable in setting up her brothel. Just to be clear neither Pinnell nor Conklin set up the infamous Seattle Seamstresses union. That was Madam Lou Graham who was after Maynard’s time. Graham however did use her profits from the “Seamstresses” to help finance much of Seattle’s turn of the Century development.
A counter point to all this fun and games was Asa Mercer. Mercer understood the basics of Maynard’s theory, that in a frontier town the men get lonely and female companionship helps them and in turn helps the area. Mercer had a different idea how to go about it. Between 1864 and 1866 Mercer made two trips to the east coast to recruit women to come back to Seattle to find husbands. He managed to bring 46 women to the area. If your family has roots in the Pacific Northwest going back several generations, you have over 70% odds of being descended from the Mercer girls. A 60’s TV Show Here comes the Brides was based on this story.
Oh and there was that fire.
On June 6th 1889 a fire broke out that would claim 32 city blocks. Despite the damage only one death was reported, a boy James Goin, and there is some dispute if he actually died in the fire.
No one is sure what caused the fire, the story of it starting in a paint shop were just rumors at the time. But what is sure is that it was the best thing that happened to downtown Seattle.
You see downtown Seattle was basically built at sea level. This was great for the lumber mill, but not so great for the businesses, as every high tide the toilets would flood, amongst other problems. When the city was rebuilt after the fire it was built up higher avoiding the flooding. There was also a economic boost from the jobs the reconstruction created. While there is no evidence that the fire was set deliberately, that fact that it was more blessing than curse does lead to some speculation
This also led to a Seattle having an interesting tourist attraction. The series of Underground passages and basements have come to be known as the Seattle Underground. Just think about an area like this, and then consider what must have gone on during prohibition. And do not ask my sister and I what we may or may not have done during our misspent youth. If you visit the area you can take a tour of the safer parts of this. The Seattle Underground was used as a major plot point in the TV movie The Night Strangler staring Darrin McGavin, which was a sequel to the Night Stalker.
And all this is just the tip of the iceberg. Look at this and tell me that there is not a movie or HBO series just begging to be made.
For me this weird clash of uptight moralism, hedonism, profiteer and roguish behavior set the stage for the geek friendly city that I call home.