The evolving view of harassment in geek culture

 

John Scalzi

John Scalzi

Author John Scalzi has opened a new chapter in the ongoing debate about harassment at fan conventions. Scalzi is a successful science fiction author, and until very recently he was the president of Science Fiction and Fantasy Writers of America. A week after his tenure as president ended, Scalzi announced what he refers to as his new hard requirement for any convention that wants him as a panelist, participant, or guest of honor. The convention must have a very clear and readily accessible anti-harassment policy.  Said policies must include clear guidelines about what is unacceptable behavior, and where attendees can go for help in those circumstances. The policies have to be made available in places such as the program book or the convention website.

This comes in parallel to another recent incident involving Penny Arcade. You can find more specifics here, but in short Penny Arcade co-founder Mike Krahulik got into a fight on twitter over comments involving transgender issues. The commentary got heated and Krahulik made what many people felt were transphobic comments. Taken on its own it is bad enough, but there was also the specter of the “Dickwolf” controversy from a couple of years ago, which had many people starting to look at Penny Arcade and it’s convention PAX as a hostile environment. The irony here is that PAX has one of the strongest anti-harassment policies of any convention out there. Immediately people started distancing themselves from Penny Arcade, including one game company canceling their booth at the event.

During the Dickwolf issue Krahulik stuck to his guns, which turned a lot of people off. In the time between then and now, he and the people around him clearly learned from the experience. The two days after the transgender argument saw Krahulik issue multiple apologies, admit he has an issue of getting hostile when feeling threatened, and a vow to try to work on these issues. He also made a $20,000 donation to the Trevor Project as a sign of contrition. He also acknowledged that his behavior was damaging to the Penny Arcade brand.

So with these events having just happened, we are once again having the conversation of how welcoming the fan community environment is to people. The positive in both these cases is that there is clear recognition that there are issues and that they need to be dealt with. I also feel they show that progress is being made.

In the Penny Arcade case, in the past this issue would have just festered, but now there is acknowledgement that there was a problem and an actual apology. It is a step in the right direction.

In the case of John Scalzi, you have a prominent author using the cred he has built up over the years to attempt to influence positive change. As of this writing, several 100 people, myself included, have co-signed his pledge.

This does put me in a slightly awkward position, of course. My local convention, Norwescon, is one of the conventions currently lacking in such a policy. However, they aren’t ignoring it. They had a discussion forum that I participated in at this year’s convention about adopting such a policy. Also someone connected with the convention posted in Scalzi’s comment section that they are forwarding the discussion to the convention committee for additional consideration. It is all about getting these important conversations started.

Emerald City Comicon is also in the same boat. I expect they will be addressing this soon as well. At least I hope they do.

It is worth noting that San Diego Comic Con also lacks an adequately published policy. They have one apparently, but it is not where you could find it.

If you are looking for a good listing of which conventions do or do not have policies in place, the site Girl Wonder is compiling a database that can be found here.

While it is clear that we still have a lot of work to do, I feel hopeful that we are seeing positive change, and that geek culture is coming around in regards to how it treats everyone.

I’ll be keeping an eye on all of this and I am sure we will be talking about it again in the future.

Comic conventions growing pains

 

Crowd at San Deigo Comic Con

One of the most noticeable factors about this year’s Emerald City Comicon is the attendance numbers. It was a recorded breaking year of approximately 64,000 attendees, which was the maximum the Washington State Convention Center could handle. For the first time ever, the convention sold out, with all three day passes being gone about two weeks before the show, and only a handful of day passes available at the door, which were sold quickly. I heard people on the floor saying that it is now the third largest comic convention in the country. This is explosive growth for the show, which only drew 20,000 attendees in 2010.

Clearly there are several factors that play into this. As the show grows it is able to attract higher caliber guests. It also benefits from a good reputation amongst pros, with many saying it is their favorite convention of the year.

But I think another factor may be at play, and it involves San Diego Comic Con and its attendance issues.

To explain this theory I first need to explain the parallel that a friend alerted me to.

This came to me by way of my friend Matt. Matt carpools with me to work every day, formed the writers group I belong to, has worked with me for over a decade, and is my proof reader / editor for my articles here. He is also a ten year veteran of Burning Man.

For those not in the know, Burning Man is an annual event that takes place in the Black Rock Desert in Nevada. It is an Art/Alternate culture/self-expression-driven event that requires high levels of attendee participation.  It started an explosive growth in the late 1990’s that lead to it reaching a max capacity of approximately 56,000. In 2011, for the first time, it sold out before the event. The 2011 sell out included all discount tier tickets selling out in half a day. This now appears to be the norm. Many feel this is due to it catching the attention of mainstream culture. It has also left many veterans feeling disenfranchised from the event.

What Matt says this has done is caused an increase in what is known as regional Burns. These are smaller Burning Man-style events that take place around the country. This started with an event in Texas called Burning Flipside, organized by Burners (the self-applied name for people who attend Burning Man) completely separate from the main organization. The idea spread, and Burners in other places formed organizations to put on their own, similar event in their area. It has even spread to other countries.

They started as events that allowed Burners to have the Burning Man experience if they couldn’t make it to the main Burning Man event. Now, in the wake of increased difficulty in getting to the main event, some Burners are turning to the regional Burns as their main outlet and forgoing the main event all together.

As Matt explained this too me I saw clear parallels with the comic conventions. In 2008 San Diego sold out before the show for the first time ever. The following year the event sold out months ahead of time. By 2011 the event was selling out within hours of tickets becoming available.

Looking at the timeline of Emerald City, you see that it took a major jump in attendance in 2011. So my theory is that because it is becoming impossible for most fans to get tickets to San Diego they are turning to the other comic conventions. I looked at a few other conventions numbers, and those that I could find generally show attendance jumps around the same time. In the interest of fairness, I want to point out that I have no other data to back up my theory, such as surveys.

One other thing that I have been hearing is that both fans and pros like Emerald City, as it is still focused on comics and related media, where San Diego has branched out to the point where it is really a media con focused on TV and movies, be they genre or not. This gives Emerald City and the other regional shows an advantage in reputation.

If I am correct you are going to see growth at other comic cons continue. This does have another issue that needs to be considered: the fact that Emerald City itself sold out this year. Selling out a week or so before the show isn’t too bad, as it did give fans plenty of opportunity to get tickets. But what happens next year? After all, it took a couple of years before the San Diego sell outs were counted in minutes instead of months.

Part of the answer is expansion. This can take two forms. The first is actual space. Right now both San Diego and Emerald City have maxed out their venues. In the case of San Diego, there is always the option of moving to another city with a bigger venue, but pressure from the city and reluctance by the convention committee has prevented that through at least 2015. Emerald City could still use space in nearby hotels if they can negotiate with them. Other than that, there are not a lot of other options for the Seattle show, as it wouldn’t make sense for them to move.

On the upside, Emerald City is exploring the other expansion option, starting a secondary show. Staff from Emerald City are involved in the promotion of a sister show in Portland Oregon called Rose City Comic Con in September. Originally a separate show, Rose City has teamed up with Emerald City to help the show grow. This is a good move, as Rose City is still small but has potential. It is also far enough away from Emerald City both in distance and time of year, to offer up the convention experience without cannibalizing the Seattle show.

Overall this kind of growth is good for geek culture. It shows that there is enough interest to support multiple shows and that the culture is thriving.

In fact the only downside is for San Diego. As the smaller shows grow, more people will not bother with San Diego. At some point this could result in fan abandonment. While not certain by any means it could damage and even potentially kill off the show.  This is also a danger that Burning man could face.

Clearly the lesson here is to manage growth. A challenge when there is so much demand. I will be very curious to see what happens to all of these shows in the next year.

Seattle: Geek Captial of the World

I am a proud resident of the Seattle area. I bring this up because I now live in the only state in the union that does not have any form of state sponsored tourism marketing. The State Government is encouraging private business to advertise our state’s virtues instead.
(I want to preface this with the statement that I do not make any income from anything related to tourism.)
I think that we here in the Seattle area have a potential for tourism that could be tapped. Appeal to geek culture.
One week a year the center of geek culture is San Diego California. I say we make a play for the other 51 weeks a year.
We have a head start. In Seattle we have the Experience Music Project and Science Fiction Museum and Hall of fame. We have Seattle Pioneer Square with the Seattle Underground tour.  We have the original Game Works. We have PAX which is becoming, if not has become, the major convention for gaming, electronic or otherwise. We have Emerald City Comic Con, a fast growing comic book convention. We are the home of corporate headquarters for Amazon, Microsoft, Nintendo America, Wizards of the Coast and I Can Haz Cheezburger. The number of gaming companies of all sizes in this area is in triple digits.
So how do we do it?
Well first all those groups I mentioned above? They need to get together and start promoting Seattle as the place where geek culture comes from.
Next someone would need to build something that would be a year-round destination for the geek fans. Anyone remember the Star Trek Experience that used to be featured at the Las Vegas Hilton? Something along those lines that, but where it is the center piece of a whole center, maybe a resort.
Someone is thinking this is a good idea. In 2014 a Star Trek theme resort will be opening in Aqaba, Jordan. Now I don’t know about you, but even though I would love to go to a Star Trek resort, I do not see myself traveling to Jordan to do it.  I could see people coming to Seattle to see it however.
Or how about a hotel that had rooms that were rigged to simulate being haunted. As long as I have the ability to turn off the effects when I want to I think that would be awesome, and could be a big draw every October.
However none of this would be a sure bet. In 1997 The Wizards of the Coast Game Center opened in the heart of Seattle’s University district. It was a complex dedicated to gaming and included a game shop, video arcade, a network of computers for LAN gaming, a tournament gaming area, and a twelve pod Battletech combat simulator. A gamer’s dream come true. It closed its doors just four years later. There has been a lot of analysis of what went wrong. Although mismanagement is the likeliest culprit, It stands in people’s minds are a failure of a geek centric venue being able to draw people in.
But does that mean no one should try again? Paul Allen didn’t think so when he opened the Science Fiction Museum and Hall of Fame in 2004. Housed in the same building as the Experience Music Project, the Museum is a collection of Memorabilia such as the Original Star Trek captain’s chair, and exhibits like the current Battlestar Galactica and Avatar exhibts. It also hosts the Science Fiction Hall of Fame and Science Fiction Fantasy Short Film Festival in association with the Seattle International Film Festival. True it was folded into EMP last March, but it is still effectively a going concern.
Maybe we need to start a meme. “Seattle, Geek capital of the world.”